Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?
On the fifth of December 2024, a major newspaper published the front-page story “Insurance CEO Gunned Down In Manhattan”. The report went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then walked coolly away”. The daytime killing was truly chilling and disturbing. But many Americans had a different response: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company designed to maximize profits on your health.”
Less than a week after, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania graduate with a graduate degree in computing, was apprehended at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on federal and state charges of murder, with prosecutors seeking the capital punishment. So what is his background? And what drove the alleged crime? These are the questions John H Richardson seeks to resolve in an inquiry that delves into wider topics, too.
Understanding the Person
A writer for a major publication, Richardson spent years researching the groups that exist in the hidden parts of the internet, producing articles about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on a reading platform”. Their subject matter covered climate change to masculinity, along with a “focus on his own personal growth, both physical and mental”. Furthermore, Richardson sifts through his correspondence with online personalities and authors as well as his many posts on social media. These primary sources, intended to depict a picture of Mangione, instead render him an amorphous figure. Richardson tries to justify this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in symbolic roles.
Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “refuse” and “depose”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to deny coverage. He looks at the evidence Mangione suffered from a long-term spinal issue, which might have provided motive for an attack, but finds no proof; instead, what significance there is seems to rest in Mangione’s existential anxiety about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either dominate, or eliminate humanity, or both.
Gaps in the Narrative
Conspicuous by their absence from the book are conversations with the key individuals. Richardson made requests, but did not anticipate access to Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the media in prior to the trial. Another glaring gap is any significant information about the deceased, Thompson, though we learn that under his leadership, from the early 2020s, UHC profits increased by 33%.
Ambiguous Findings
By book’s end, the audience has little insight of Mangione’s character or what might have motivated his alleged crimes. Worse still, Richardson’s obvious sympathy for him creates the uncomfortable impression of having been exposed to a subtle approval of an assassination. In the book’s final lines, Richardson presents his mythical interpretation: “We’ve entered a era of stories, the mad king, the monster in the maze and the naked leader.” In that fable “outlaw heroes come with a appealing vow … They arrive in times of social turmoil, when the population is in pain and nothing makes sense anymore.”
One thing is clear: as Mangione’s legal representatives works to have accusations that could lead to the death penalty dismissed, any reference of myths, Robin Hoods, champions or monsters will not be allowed in court in defence of this handsome young man with a “features reminiscent of classical art” soon to be on trial for murder.